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A modern thriller set in the Middle East

Comments & Reviews "Ian Richardson has written a page turning thriller that screams to be turned into a blockbuster...

Wednesday, 30 January 2019

What happened to Florrie Cox?

Florence "Florrie" Cox and the newly-ordained Baptist missionary, the Rev. Frank Paice, became engaged to be married in 1912. There was much joy in the two families and at the church they both attended in Melbourne, Australia. But their honeymoon in Bengal, India, was a troubled occasion when they found it impossible to consummate the marriage for reasons neither could fully understand. So began the compelling saga of how the couple struggled to understand and cope with Florrie's condition, while fellow Baptist missionary Olga Johnston waited impatiently in the wings to snatch Frank away.

Why did the families and the church go to such lengths to hide what happened? And why did two Supreme Court judges in Melbourne order the divorce file to be sealed for all time? Ian D. Richardson, an Australian journalist who worked for many years for the BBC, was determined to learn the truth about his Great Aunt Florrie. God's Triangle is the result: a true story of revelation and betrayal.




Sunday, 20 January 2019

AUSTRALIA: a surprising and wonderful museum find

An Australian friend, the Bendigo artist Gail Tavener, recently tipped me off about printing equipment she had seen in a wonderful museum at Wedderburn, a small former gold mining town (population 680 at the last census) in the state of Victoria. As she remembered that I had once trained as a printer, she wondered if I knew anything about the machines, a Linotype type-setting machine and a Heidelberg automatic printing press. I not only knew about them, but once worked on these exact machines. 



Back in 1961, I was employed by the Tribune weekly newspaper in the neighbouring town of Charlton when my mother sold it to Ian and Coral Cameron from Wedderburn. Ian's father had owned the Wedderburn Express but had sold it to a solicitor, Eric Shackleton "Shack" Bailey and printer John Somerville. The Express had, since its inception in the 1800s, been entirely handset, but "Shack" and John modernised the operation by buying an Intertype (also known as a Linotype) and a Heidelberg printing machine. Ian Cameron decided to loan me to the Express for a few days each week to teach John Somerville how to use the equipment.

As I was on a visit to my homeland last month, I was able to call at the museum 
to be greeted by Denise Nichols and her enthusiastic and friendly colleagues. It was a delight to be shown around and reunited with the equipment that was part of my life so many decades ago.






















    
The Intertype/Linotype (above) and the Heidelberg (below)




The old type cases, and on the right is the roller that printed the proof sheets
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Denise Nichols opens a tin of biscuits with the biscuits still intact, sort of, and
below are some of the displays in the grocery shop that was frozen in time.




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